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50종류의 그림이 들어있는 루브르 박물관.The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell

Paul G. Konody , Maurice W. Brockwell 저 | 뉴가출판사 | 2020년 11월 17일 리뷰 총점 0.0 (0건)정보 더 보기/감추기

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50종류의 그림이 들어있는 루브르 박물관.The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell

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50종류의 그림이 들어있는 루브르 박물관.The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell CONTENTS ? PREFACE ? INTRODUCTION ? EARLY SIENESE SCHOOL ? Duccio’s Followers ? THE FLORENTINE SCHOOL ? The Giottesques ? Fra Angelico ? Paolo Uccello ? The Goldsmith Painters ? Leonardo da Vinci ? Mona Lisa ? Botticelli ? Albertinelli ? Andrea del Sarto ? THE LATER SIENESE SCHOOL ? THE UMBRIAN SCHOOL ? Perugino ? Raphael ? THE VENETIAN SCHOOL ? The Bellini ? Giorgione ? Titian ? Titian’s Followers ? Paolo Veronese ? THE PADUAN SCHOOL ? Andrea Mantegna ? THE SCHOOL OF VERONA ? THE SCHOOL OF FERRARA ? THE SCHOOL OF MILAN ? Andrea Solario ? Bernardino Luini ? THE SCHOOL OF LOMBARDY ? THE SCHOOL OF FERRARA- BOLOGNA ? THE SCHOOL OF CREMONA ? THE SCHOOL OF BRESCIA ? THE SCHOOL OF MODENA ? THE SCHOOL OF VICENZA ? THE SCHOOL OF VERCELLI ? THE SCHOOL OF PARMA ? THE SCHOOL OF BOLOGNA ? THE DECADENT SCHOOLS ? The “ Mannerists” ? The “ Eclectics” ? The “ Naturalists” ? THE EARLY FLEMISH SCHOOL ? Jan van Eyck ? The School of Tournai ? Hans Memlinc ? Memlinc’s “ Virgin and Child, with Donors” ? Gerard David ? Hieronymus Bosch ? The Antwerp School ? Barend van Orley ? THE LATE FLEMISH SCHOOL ? Pieter Brueghel ? Jan Brueghel ? The Franck Family ? Peter Paul Rubens ? Rubens at Antwerp ? The Medicis Series ? Medicis Portraits ? Late Works by Rubens ? xAnthony van Dyck ? Van Dyck’s Second Antwerp Period ? “ Le Roi a la Chasse” ? Frans Snyders ? Jacob Jordaens ? Followers of Rubens ? Adriaen Brouwer ? David Teniers ? Philippe de Champaigne ? Van der Meulen ? Minor Flemish Painters ? THE GERMAN SCHOOL ? “ The Master of the Bartholomew Altar” ? Cologne Painters ? Albrecht Durer ? Durer’s Followers ? Lucas Cranach ? Hans Holbein ? The Kratzer Portrait ? Portrait of Anne of Cleves ? The Seventeenth Century ? The Eighteenth Century ? THE SPANISH SCHOOL ? Luis de Dalmau ? Luis Morales ? El Greco ? The School of Seville ? Zurbaran ? Ribera ? Velazquez ? The Infanta ? Mariana of Austria ? Copies and School Pictures ? The “ Meeting of Thirteen People” ? Murillo ? “ The Immaculate Conception” ? “ The Birth of the Virgin” ? “ The Angels’ Kitchen” ? The School of Madrid ? Goya ? THE DUTCH SCHOOL ? Gerard of Haarlem ? Sir Antonis Mor ? Spanish Oppression ? History and Portrait Painters ? Cornelis Janssen ? Frans Hals ? Dutch Independence ? Rembrandt ? The Pupils of Rembrandt ? Van der Helst ? Genre Painters ? Adriaen van Ostade ? Gerard Dou ? Dou’s Pupils ? Gerard Terborch ? Jan Steen ? Pieter de Hooch ? Nicolas Maes ? Gabriel Metsu ? Landscape Painters ? Aelbert Cuyp ? Jacob van Ruisdael ? Hobbema ? Philips Wouwerman ? The Italian Influence ? Architectural Painters ? Marine Painters ? Still- Life Painters ? The Decline ? THE EARLY FRENCH SCHOOL ? The Maitre de Moulins ? The de Somzee “ Magdalen” ? Jean Fouquet ? Nicolas Froment ? THE SIXTEENTH- CENTURY FRENCH SCHOOL ? Jean Clouet’s Drawings ? Francois Clouet ? Corneille de Lyon ? The School of Fontainebleau ? Jean Cousin ? THE SEVENTEENTH- CENTURY FRENCH SCHOOL ? The Brothers Le Nain ? xiNicolas Poussin ? Claude Lorrain ? Le Sueur ? Charles Le Brun ? Pierre Mignard ? Le Brun’s Followers ? Battle Painters ? Jean Jouvenet ? The Portrait Painters ? Landscape Painters ? Desportes ? THE EIGHTEENTH- CENTURY FRENCH SCHOOL ? Genre Painters ? Raoux and de Troy ? Watteau ? The Watteaus in the La Caze Gallery ? Watteau’s Followers ? The Van Loo Family ? Francois Boucher ? Simeon Chardin ? Fragonard ? Greuze ? Portrait Painters ? Tocque, Vestier, and Lepicie ? Mme. Vigee Le Brun ? Joseph Vernet ? Hubert Robert ? Jacques Louis David ? The “ Coronation” Picture ? Baron Gerard ? Baron Gros ? Pierre Prud’hon ? THE NINETEENTH- CENTURY FRENCH SCHOOL ? Gericault ? Delacroix ? Delacroix’s Oriental Pictures ? Ingres ? Delaroche and Scheffer ? Decamps ? The Orientalists ? Regnault ? Academic Painters ? Michel and Huet ? The Barbizon School ? Corot ? T. Rousseau ? C. Troyon ? J. Dupre ? Diaz ? Daubigny ? Millet ? Daumier ? Courbet ? Meissonier ? Ricard ? Manet ? THE BRITISH SCHOOL ? Constable and his Imitators ? Bonington ? Raeburn ? Sir Thomas Lawrence ? Other Portrait Painters

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50종류의 그림이 들어있는 루브르 박물관.The Louvre: Fifty Plates in Colour, by Paul G. Konody , Maurice W. Brockwell PREFACE THOSE who wish to make a thorough, comprehensive, and systematic study of the pictures of the great national collection contained in the Louvre, which extend from the early years of the fourteenth century down to almost the present day, will be well advised to deal with the artists by the countries, schools, and periods to which they belong. That is the scheme which we have followed here. We do not hesitate to refer to painters, especially those of the Italian schools, under the names by which they are generally known to modern critics, as opposed to those under which they are officially catalogued by the Louvre authorities. Thus, Raphael, Titian, and Giulio Romano, and not Santi, Vecelli, and Pippi, are the names which we shall use in this book. Special attention is drawn to the fact that the official attributions of a certain number of the pictures, mainly of the Italian schools, and notably several by Raphael, Leonardo da Vinci, and Titian, are not accepted by us. The authors of any critical book on a large national collection which includes several hundred Italian paintings of varying importance must of necessity be under heavy obligations to Mr. Berenson, whose scholarly, scientific, and constructive criticism, following on that of Morelli, has entirely revolutionised the study of Italian art. It will be noticed that in many instances the dates used in these pages do not coincide with those given in the official Cataloguesvi and repeated in a large number of text- books, while in a few cases it has been thought desirable to draw the attention of the student to the questionable accuracy of some of the titles and “ pedigrees.” The illustrations which have been selected represent, as far as possible, the whole range of the art of each country and school comprised within the limits of the fifteenth to the nineteenth centuries. The Plates are arranged in the order in which reference is made to them in the text, but it has been found impossible to place them opposite the pages on which the critical remarks are given.

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